It Was the Best of Sentences, It Was the high quality Worst of Sentences: A Writer's lowest Guide to Crafting Killer Sentences outlet online sale

It Was the Best of Sentences, It Was the high quality Worst of Sentences: A Writer's lowest Guide to Crafting Killer Sentences outlet online sale

It Was the Best of Sentences, It Was the high quality Worst of Sentences: A Writer's lowest Guide to Crafting Killer Sentences outlet online sale
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In this wickedly humorous manual, language columnist June Casagrande uses grammar and syntax to show exactly what makes some sentences great—and other sentences suck.

Great writing isn’t born, it’s built—sentence by sentence. But too many writers—and writing guides—overlook this most important unit. The result? Manuscripts that will never be published and writing careers that will never begin. 
 
With chapters on “Conjunctions That Kill” and “Words Gone Wild,” this lighthearted guide is perfect for anyone who’s dead serious about writing, from aspiring novelists to nonfiction writers, conscientious students to cheeky literati. So roll up your sleeves and prepare to craft one bold, effective sentence after another. Your readers will thank you.

Review

“an editor and grammar columnist’s funny but no-nonsense guide to better writing.” —St. Petersburg Times

“Great writing starts with strong sentences. This is your guidebook to mastering the art.”
—DONALD MAASS, literary agent and author of The Fire in Fiction
 
“June mixes sassy fun with practical advice. You’ll laugh all the way to writing better.”
—MIGNON FOGARTY, author of Grammar Girl’s Quick and Dirty Tips for Better Writing
  
It Was the Best of Sentences, It Was the Worst of Sentences is that incredibly rare breed of book: a guide to grammar and style that is simultaneously smart, engaging, and instructive. By tackling prose composition on a sentence-by-sentence level, June Casagrande has found a way to provide intensely practical advice for the novice writer—not to mention unexpected insights for the expert writer. It would make a welcome addition to any language lover’s library.”
—ELIZABETH LITTLE, author of Biting the Wax Tadpole

About the Author

June Casagrande is the author of the weekly syndicated “A Word, Please” grammar column and a copy editor for the custom publishing department of the Los Angeles Times. She has worked as a reporter, features writer, city editor, proofreader, and copyediting instructor for UC San Diego Extension. She is the author of Grammar Snobs Are Great Big Meanies, Mortal Syntax, and It Was the Best of Sentences, It Was the Worst of Sentences. She lives in Pasadena, California, with her husband. Visit www.junecasagrande.com.

Excerpt. © Reprinted by permission. All rights reserved.

Chapter 1

Who Cares?
Making Sentences Meaningful to Your Reader

For years I made my living schlepping city council stories for a small community newspaper. Perhaps a third of the articles I wrote could have begun with an identical opener: “On Tuesday, the city council voted to . . .” But they didn’t. The reason: the almighty Reader.
 
In any type of writing, be it journalism, fiction, or advertising copy, the almighty Reader is the boss. But there’s no better field for understanding this than community news. When I worked in that field, the Reader was always in my face. He wasn’t like the silent, invisible, fickle master consuming literary fiction, corporate earnings reports, or sales brochures. The community news Reader wrote to me. He called me. And, because I was working in a much smaller arena than that of big-city reporters, he knew me. The Reader considered me part of the community, even though I lived fifty miles away, and he expected me to serve the town’s best interests while answering to him directly.
 
Yes, this got annoying at times. Especially when he failed to realize that he didn’t get to assign me stories: “I want you to do an exposé on how the president of my condo association refuses to put up ‘Keep Off the Grass’ signs.” In community news, the Reader will not be ignored.
 
Now that I no longer wake up in the middle of the night screaming, “I will not write a front-page article about your dog!” I realize this experience is a good thing. It helped me understand how to form sentences that serve the Reader.
 
Consider this story lead:
 
The city council on Tuesday voted on a budget that contains no funds for fixing Main Street potholes.
 
Informative, relevant, clear, true. But could the writer do a better job of remembering her boss, the Reader? Absolutely. A sentence like the one just stated is written from a writer’s perspective. The writer’s job consisted of going to a meeting, documenting a vote, and perhaps listening to some discussion of one important element of that vote—pothole repair. So that’s what got emphasized in the sentence.
 
But this approach downplays the facts that are most pertinent to the Reader. Look at the main subject and action of the sentence: The city council voted. The Reader already knows that the council voted. The council is always voting. It votes on thirty, forty, fifty things a month—most of which are total yawners. The Reader doesn’t really care that the council voted. He cares about what it all means to him.
 
These are the questions that a skilled newswriter asks: “How will this affect the Reader? Why should he care?” Such questions lead to an opener like this:
 
The bumpy ride on Main Street isn’t going to get smoother anytime soon.
 
Although this example works well, we’ve all seen this go too far. Used dishonorably, this approach can come off as pandering or even downright sleazy. Nonprint media come to mind: “Something in your kitchen wants to kill your children! Details at eleven.”
 
But if you stop and think about such sleazy tactics, you see that this lead really has the same problem as the snoozer lead: It’s writer-serving writing as opposed to Reader-serving or Viewer-serving writing. It’s deliberate manipulation, and Viewers can smell it a mile away. It works—but the best writing doesn’t stoop to this level.
 
To strike a balance between snoozer “the city council voted” sentences and sleazy “there’s a killer in your kitchen” sentences, all you have to do is remember the Reader. Ask, “What’s important to my Reader?” not just, “What will get his attention?”
 
The answer—be it about the bumpy ride on Main Street or the bottom line on a tax bill—then becomes the main point of your sentence, and your sentence can become a thing of real value.
 
Of course, it’s not always that simple. Wanting to accommodate your Reader and actually pulling it off are two different things. Ironically, sometimes the very act of trying to explain things to the Reader creates problems. Consider this sentence, written by a professional writer, which was in a piece I copyedited. I’ve disguised it slightly to save the writer embarrassment:
 
While the boat show is predictably crowded over the weekends, holding the event over Thanksgiving for the second consecutive year positively impacts the flow of attendees over the closing weekend, which is traditionally the busiest.
 
Any copy editor who works with novice writers sees stuff like this all the time. This sentence, while not the worst ever, contains a number of problems that are all rooted in the writer’s misguided attempts to explain stuff to the Reader. Let’s look at it piece by piece:
 
While the boat show
 
While is a subordinating conjunction, which we’ll talk about in chapter 2. There’s nothing wrong with starting a sentence with a subordinating conjunction in general or with while in particular. But such an opening can, in unskilled hands, pave the way for a problematic sentence. At the very least, it tells the Reader, “Stay put. It could be a while before I get to the point.”
 
is predictably crowded
 
Really? It’s predictably crowded? We can see what the writer meant: the show is so consistently crowded on the weekends that you could predict it. But does predictably crowded really capture this? The adverb predictably comes right before the adjective crowded, as if it’s modifying crowded, as if it means that predictably is a way—a manner—of being crowded. As you’ll see in chapter 7, adverbs are flexible. They’re so flexible, in fact, that they can modify whole sentences. You could argue, then, that this part of our sentence is okay. But is it good? No.
 
over the weekends
 
Nothing wrong with that—yet. But two more over phrases are about to appear in this sentence, so over the weekends sets up an annoying redundancy. We’ll look at this type of problem more in chapter 9 when we discuss prepositional phrases.
 
holding the event over Thanksgiving for the second consecutive year positively impacts the flow of attendees
 
Most of the choices reflected in this clause might be fine in certain cases. But the overall effect stinks. For starters, this is the main clause of our sentence. That means it contains our main subject and our main verb. (We’ll look at clause structure in chapter 3.) But both are downright anemic. Holding—the subject of our lengthy, winding sentence—is a form of a word that usually connotes action: I hold, you hold, he holds. But here it’s made into something called a gerund, which is basically a noun. We’ll talk more about actions made into nouns in chapter 13. The usage is grammatical, but is it wise to make this the main subject? Do you really want the single most important actor in your whole sentence to be the abstract concept of holding?
 
Here’s a more troubling part of that excerpt:
 
for the second consecutive year
 
The way this phrase modifies holding makes the sentence illogical. Let me pare down the sentence to show you what I mean: Holding the event for the second consecutive year positively impacts the flow. See how for the second consecutive year attaches itself to holding? We’re no longer talking about just holding. We’re talking specifically about the second time you do it. So our sentence says that the benefits of holding the boat show over Thanksgiving weekend apply only the second year. In years three, four, and five, holding it over Thanksgiving weekend has no effect. Only holding it for the second consecutive year impacts the flow. That’s just wrong.
 
positively impacts the flow of attendees
 
Positively impacts sounds like something in a corporate earnings report, and flow of attendees sounds like something in a fire safety manual. Each of these phrases squanders an opportunity to connect with the Reader in a more meaningful and tangible way. The Reader knows all about long ticket lines, bottlenecked foot traffic, and crowds in stadiums. He has visual and emotional associations with the concept of crowd control. There are so many ways to make the concept more meaningful than positively impacts the flow of attendees.
 
Impacts, all by itself, is a problem. It couldn’t be vaguer. Here it’s used to mean that something improves or reduces or ameliorates crowding. But impacts contains less information than any of these alternatives. Also, why use a word that could mean something negative or positive when you’re clearly talking about something positive? (We’ll discuss choosing specific words in chapter 6.) Making matters worse, some people argue that impact isn’t really a verb. They’re wrong. But since you’ll never get a chance to sit down and explain that to them, you have to decide whether it’s worth irking them.
 
Oh, and don’t miss that second over phrase,
 
over Thanksgiving
 
because here comes our third over phrase:
 
over the closing weekend
 
So we now have in one sentence over the weekends, over Thanksgiving, and over the closing weekend. Personally, I’m amazed that the writer did such a good job of associating each time element with a specific action. Usually when you see this many time elements in a sentence you end up with a nonsensical statement like He took a three-year hiatus in 1992 or over the weekend he got lost over the course of three hours. The three over phrases in one sentence tell us that the writer was simply cramming in too much information. Then, as if that weren’t enough, one last thought gets tacked on:
 
which is traditionally the busiest.
 
This is called a relative clause (which we’ll discuss in chapter 8). Relative clauses can be great for squeezing in more information—when the information fits. But the usage here is like squeezing Louie Anderson into Ryan Seacrest’s jogging shorts. Not pretty.
 
Just look at all the distinct pieces of information we have in this sentence:
 
The boat show is crowded on the weekends.
 
This crowding is predictable.
 
The event is being held [or can be held] over Thanksgiving.
 
The event was held over Thanksgiving last year.
 
Holding it over Thanksgiving means crowds are better spread out over the duration of the show.
 
This improves crowding on the closing weekend.
 
The closing weekend is traditionally the busiest.

 
We can understand why the writer didn’t want to spend too much time on each of those points. But his attempt to slip them in gracefully failed because he was overambitious. He crammed in too much. The best thing you can do in a situation like this is to first consider whether any information can go (I, for one, can do without that predictably business) and to then break up what’s left into smaller sentences. The possibilities are endless:
 
The boat show gets crowded on the weekends. So this year, for the second time, it will conclude over the four-day Thanksgiving weekend. This spreads out the number of visitors and relieves crowding during the closing weekend, which is traditionally the busiest.
 
or
 
Saturdays and Sundays usually mean huge crowds at the boat show. The closing weekend gets especially jammed. But last year the producers had an idea: why not make the last weekend of the event the four-day Thanksgiving weekend? The strategy was so successful at reducing overcrowding that they’re doing it again this year.
 
I could go on. But you get the idea.
 
As a writer, it’s your job to organize information, to prioritize it with the Reader in mind, to chop and add as you see fit. But only by fully understanding the mechanics of the sentence can you do so in the best possible way.

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4.6 out of 54.6 out of 5
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Lynda A. Dietz
5.0 out of 5 starsVerified Purchase
Get it on your reference shelf ASAP
Reviewed in the United States on June 27, 2017
I can’t recommend this book strongly enough. Not only is it informative, but it’s presented in such a way that it’s not tedious. Dare I even say . . . fun? Though I already knew many of the basics that dealt with punctuation and grammar, I bought this book with... See more
I can’t recommend this book strongly enough. Not only is it informative, but it’s presented in such a way that it’s not tedious. Dare I even say . . . fun?

Though I already knew many of the basics that dealt with punctuation and grammar, I bought this book with the intention of honing my editing skills. Sentence structure is something I’m always on the lookout to improve while editing, so I truly enjoyed the chapters that dealt with word-by-word dissection of ad copy, paragraphs, opening lines, and more. I have to admit, I looked at some of those and thought, “Well, that’s not so bad,” and then cringed at how many things had to change to make the clearest sentence possible. As I continued to read, though, the errors became more and more obvious, and I didn’t feel nearly as lacking in my observational skills.

If you’re a writer, you need to read this. Perhaps more than once. It can only help you in making your writing tighter.

If you’re an editor, this little book should be on your reference shelf as one of the handiest guides you’ll ever own. The very end of the book, in fact, is one of my favorite parts: an appendix that lists the most incriminating errors you can make—the ones that will brand you as a hack and tell your readers “the writer is out of her element,” according to Ms. Casagrande. They’re the misused words that drive grammarphiles insane, and the very stuff that will drive an Internet argument off-topic and down the road of personal insults in a heartbeat.

If you’re a homeschooler, you need to get this for yourself and your kids and start them off right, with an instructional book that won’t bore them to tears.

After all, with chapter titles such as “Antique Desk Suitable for Lady with Thick Legs and Large Drawers,” how can you go wrong?
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Consumer01
1.0 out of 5 starsVerified Purchase
A Waste of Time and Money
Reviewed in the United States on December 9, 2019
A poorly written example of sentence structures that in no way help a writer. This author is an editor, and her tips are also for editors, not writers. The author also condemns the use of mature punctuation; she considers people who understand the functions of punctuation... See more
A poorly written example of sentence structures that in no way help a writer. This author is an editor, and her tips are also for editors, not writers. The author also condemns the use of mature punctuation; she considers people who understand the functions of punctuation marks and advanced grammar snobs. A waste of both time and money for both writers and teachers.
9 people found this helpful
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L Cameron
5.0 out of 5 starsVerified Purchase
A grammar book written with wit and wisdom
Reviewed in the United States on August 23, 2021
The little book that could (explain grammar in a way that builds a writer’s confidence). I’m not a big believer in hard and fast writing rules that must be obeyed. So, I loved the focus in this book, which says reader understanding is what matters. Grammar just... See more
The little book that could (explain grammar in a way that builds a writer’s confidence).

I’m not a big believer in hard and fast writing rules that must be obeyed. So, I loved the focus in this book, which says reader understanding is what matters. Grammar just serves to help us achieve that reader understanding by finding the easiest and fastest way to get our point across, without confusing the reader.

With short easy to consume chapters, I read this in small chunks with my morning coffee each day before starting work on my novel. Practical and inspiring, I thoroughly recommend this little guide.
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Deshen
5.0 out of 5 starsVerified Purchase
What a book!
Reviewed in the United States on September 13, 2021
After recogniziging writing as a skill that could be learned, I began buying book after book on the art of good writing. I have read a few of them so far, have others waiting on my desk for me to read, and a few more are on the way from the Amazon store. Though I have... See more
After recogniziging writing as a skill that could be learned, I began buying book after book on the art of good writing. I have read a few of them so far, have others waiting on my desk for me to read, and a few more are on the way from the Amazon store. Though I have learned many aspects of good writing from the books I am reading, none of them answered a deep-seated question I had— how do I use effectively grammar and syntax to write good sentences?
After reading the first two chapters of this book, all the light bulbs in my head have turned on. I never thought I will be so interested to learn about conjunctions.
The main reason I bought this book was to learn how to use grammar and syntax to write effectively. I am still in reading the second chapter and it feels as though I already have had my money''s worth. However, I just cannot wait to read all of it, chapter after chapter, with great care. Well, I could not help but purchase the author''s related book "The Joy of Syntax" to express my gratitude to the author and to learn more of what she has to say about this fascinating subject.
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Lily
5.0 out of 5 starsVerified Purchase
My favorite book about writing
Reviewed in the United States on July 14, 2021
I write professionally and also teach writing classes. I collect books about teaching, books about writing, and books about teaching writing. This is by far my favorite. It gets right to the heart of what makes writing strong and compelling, and it shows you clearly and... See more
I write professionally and also teach writing classes. I collect books about teaching, books about writing, and books about teaching writing. This is by far my favorite. It gets right to the heart of what makes writing strong and compelling, and it shows you clearly and simply how you can do it too. My students love the zany examples and have fun coming up with their own. It''s great for reading by yourself and also works well when read aloud. I would highly recommend it to any writer of any level.
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Marquitta Winfree
5.0 out of 5 starsVerified Purchase
A great book to just read! A fantastic, fun way for homeschoolers and others to improve their all around writing skills.
Reviewed in the United States on September 28, 2014
You need to buy this book just to read it; you''ll learn to write better without studying. I bought a slew of books on punctuation and writing for my two homeschooled children, advanced 7th and 8th graders. This is our favorite! It''s not just about writing concisely... See more
You need to buy this book just to read it; you''ll learn to write better without studying. I bought a slew of books on punctuation and writing for my two homeschooled children, advanced 7th and 8th graders. This is our favorite! It''s not just about writing concisely (technical) or creatively (fiction); it''s real-life communication. I did try to give it 4.5 stars for her one slight problem. In a past life I was a tech writer for Nuclear Power Experience; you talk about not changing the meaning of a sentence! A few of her rewrites do "technically" change the meaning of her examples, but 99% of readers would never notice. I say, " Buy the book!" You and your children 6th grade and up will laugh your way to learning.
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hsteetcher
4.0 out of 5 starsVerified Purchase
This book is a no-nonsense guide to writing. But ...
Reviewed in the United States on June 24, 2018
This book is a no-nonsense guide to writing. But, I believe it missed dealing with a couple of grammar problems, including the people''s attaching of "at" to the end of sentences and the big lack of pronoun/antecedent agreement in number.
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M. Manning
5.0 out of 5 starsVerified Purchase
Great companion for any aspiring author.
Reviewed in the United States on December 29, 2012
Well crafted sentences are a MUST whether in a book or corespondence. It conveys the mental picture or thought you wish to express, and how you craft your words is key to the success of your endeavor. This little gem for guidance and improvement of sentence structure... See more
Well crafted sentences are a MUST whether in a book or corespondence. It conveys the mental picture or thought you wish to express, and how you craft your words is key to the success of your endeavor. This little gem for guidance and improvement of sentence structure helps you do just that. It makes your sentences meaningful. It helps you clean up awkward word placement and delves into some critical grammar issues that often destroys the clarity of what you are attempting to say. Example: remember a grammar book that came out a while back titled "Eats Shoots and Leaves"? (most likely still available) What do you see when you read these words-- a person eating a strange lunch, or someone performing an action sequence?

It was the best of sentences, it was the worst of sentences, focuses on workable sentences only, and is a very handy little book to reach for while engaged in any writing.
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Top reviews from other countries

Penny
3.0 out of 5 starsVerified Purchase
Ok - but Fiction Writer''s be aware...
Reviewed in the United Kingdom on December 18, 2016
Useful in many ways, and entertaining. Good even for a not native English as me. The author doesn''t seem to know much about Fiction however, and I''m a bit alarmed of her condemning praised writers as Ian McEwan and Flannery O''Connor. She also prefer short sentences, so it''s...See more
Useful in many ways, and entertaining. Good even for a not native English as me. The author doesn''t seem to know much about Fiction however, and I''m a bit alarmed of her condemning praised writers as Ian McEwan and Flannery O''Connor. She also prefer short sentences, so it''s therefore a Good companion to the Book "Building Great Sentences".
8 people found this helpful
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Stephen Hassell
4.0 out of 5 starsVerified Purchase
Not overly padded like many I have read and packed with useful information
Reviewed in the United Kingdom on November 13, 2016
A clear and concise book. Not overly padded like many I have read and packed with useful information. This is an excellent guide to writing sentences that are clear and to the point.
One person found this helpful
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Stevie_chambers
5.0 out of 5 starsVerified Purchase
Become a better writer by reading this
Reviewed in the United Kingdom on November 8, 2017
Just a great read with advice that was easy to understand and help you spot where you are going well, and not so well. If you write anything, not just books but also marketing copy, blogs or papers, then you''ll be a better writer for reading this.
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gokhan cansiz
5.0 out of 5 starsVerified Purchase
The ABCs of writing sentences
Reviewed in the United Kingdom on November 3, 2019
The book arrived in excellent condition. I''d read it before but wanted a copy for reference. Refreshing for effective use of sentences.
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Ellie Brown
5.0 out of 5 starsVerified Purchase
Excellent, clear grammar guide
Reviewed in the United Kingdom on July 10, 2017
An excellent practical guide containing good examples. Really helpful.
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